夜鶯讀書(shū)筆記精選范文五篇
篇一:《安徒生童話-夜鶯》讀后感
夜鶯是皇帝望不到邊的大花園里的小小歌者,它的歌聲飽含深情,讓人禁不住落淚,但它只有在綠色的大森林里才唱得最好,它的歌唱給所有人——窮苦的漁夫、幫廚的小女孩、甚至是皇帝,舉國(guó)上下都知道并深深地喜愛(ài)這位小小的歌者。
前去邀請(qǐng)夜鶯的大臣第一眼看到它時(shí)稱它很“普通”、很“平凡”,受到皇帝的召見(jiàn)便欣然前往,一點(diǎn)也不驕傲,它認(rèn)為得到的最好的禮物是人的熱淚,這足以使它心花怒放!
夜鶯成了皇宮中的歌者,每天準(zhǔn)許被仆人牽著絲線散步。國(guó)中人談?wù)撈鹚鼇?lái)相互嘆氣,夜鶯再也不能為窮苦人動(dòng)情的歌唱了。
故事出現(xiàn)了轉(zhuǎn)折,日本國(guó)送來(lái)了一只金貴的機(jī)械鳥(niǎo),這只“鳥(niǎo)”唱著標(biāo)準(zhǔn)的華爾茲曲調(diào),屬于一個(gè)著名的音樂(lè)學(xué)派,周身裝飾華麗,很快奪得了全國(guó)人們的歡心。于是夜鶯被放逐出去,皇宮中人們咒罵它忘恩負(fù)義,但當(dāng)皇帝病危的時(shí)候,夜鶯飛來(lái)了,用歌聲驅(qū)走皇帝身邊邪惡的面孔,把死神從他心中去掉。
夜鶯是最忠誠(chéng)的朋友,用飽含深情的歌聲喚起人心中的美好、驅(qū)走黑暗,它的幫助不計(jì)報(bào)酬,它認(rèn)為最好的禮物是引起人情感的共鳴!
最真摯的朋友總是在最需要時(shí)給予你幫助,而不是那些總圍在身邊刻意迎合、恭維你的人。真摯的友人擁有一顆好的心,而一顆好的心是不會(huì)驕傲的!
當(dāng)皇帝懇請(qǐng)夜鶯留下,還要把那只機(jī)械鳥(niǎo)撕碎時(shí),夜鶯拒絕了,它的歌只有在綠色的森林里才唱得最好,它飽含深情的歌聲屬于每個(gè)人!
題外話:我很喜歡《安徒生童話》,故事中的《夜鶯》給我留下很深的印象,覺(jué)得夜鶯是真摯的朋友,安徒生的童話讓我感受到他那顆溫暖、謙卑的心,安徒生將自己比作丑小鴨,當(dāng)丑小鴨變成美麗的白天鵝時(shí),他寫(xiě)道“一顆好的心是不會(huì)驕傲的”。我喜歡寫(xiě)作,也愛(ài)學(xué)習(xí),讀學(xué)前教育的我,從小也有一個(gè)變成白天鵝的夢(mèng)想,大三了,這幾年我一直在努力學(xué)習(xí),課余時(shí)間發(fā)展自己的興趣愛(ài)好,很充實(shí)、很快樂(lè)。年輕,逐夢(mèng)!
篇二:夜鶯與玫瑰讀書(shū)筆記
當(dāng)我初次拜讀王爾德的童話故事是,乍一看,不得不被他優(yōu)美的文字吸引了,其中他最鐘愛(ài)的寫(xiě)作手法就是用形象生動(dòng)的比喻,為讀者構(gòu)成一幅豐滿的畫(huà)面,發(fā)黑得像風(fēng)信子花,他的嘴唇就像他想要的玫瑰那樣紅;但是感情的折磨使他臉色蒼白如象牙,憂傷的印跡也爬上了他的眉梢。”“我的玫瑰是白色的,”它回答說(shuō),“白得就像大海的浪花沫,白得超過(guò)山頂上的積雪!拔业拿倒迨羌t色的,”它回答說(shuō),“紅得就像鴿子的腳,紅得超過(guò)在海洋洞穴中飄動(dòng)的珊瑚大扇。但是冬天已經(jīng)凍僵了我的血管,霜雪已經(jīng)摧殘了我的花蕾,風(fēng)暴已經(jīng)吹折了我的枝葉,今年我不會(huì)再有玫瑰花了!薄拔业腵玫瑰是黃色的,”它回答說(shuō),“黃得就像坐在琥珀寶座上的美人魚(yú)的頭發(fā),黃得超過(guò)拿著鐮刀的割草人來(lái)之前在草地上盛開(kāi)的水仙花!闭Z(yǔ)言清新、自然,但是,不知為何,總是會(huì)不自覺(jué)地引起我們或多或少的對(duì)人生,對(duì)世界的思考以及由思考帶來(lái)的淡淡的憂傷以及層層對(duì)比下的諷刺和無(wú)奈。
當(dāng)夜鶯看到一位看似癡情的年輕男子在為愛(ài)情而憂傷時(shí),夜鶯感嘆道:“我所為之歌唱的正是他遭受的痛苦,我所為之 快樂(lè)的東西,對(duì)他卻是痛苦。愛(ài)情真是一件奇妙無(wú)比的事情,它比綠寶石更珍貴,比貓眼石 更稀奇。用珍珠和石榴都換不來(lái),是市場(chǎng)上買(mǎi)不到的,是從商人那兒購(gòu)不來(lái)的,更無(wú)法用黃金來(lái)稱出它的重量。”可是同樣對(duì)于愛(ài)情,“他為什么哭呢?”一條綠色的小蜥蜴高高地翹起尾巴從他身旁跑過(guò)時(shí),這樣問(wèn)道!笆前,倒底為什么?”一只蝴蝶說(shuō),她正追著一縷陽(yáng)光在跳舞!笆前。沟诪槭裁?”一朵雛菊用低緩的聲音對(duì)自已的鄰居輕聲說(shuō)道。“他為一朵紅玫瑰而哭泣!币国L告訴大家!盀榱艘欢浼t玫瑰?”他們叫了起來(lái)。“真是好笑!”小蜥蜴說(shuō),他是個(gè)愛(ài)嘲諷別人的人,忍不住笑了起來(lái)。當(dāng)夜鶯知道要用自己的獻(xiàn)血染紅玫瑰時(shí),夜鶯的話語(yǔ)更是讓我們動(dòng)容,感覺(jué)自身的渺小,:““拿死亡來(lái)?yè)Q一朵玫瑰,這代價(jià)實(shí)在很高,”夜鶯大聲叫道,“生命對(duì)每一個(gè)人都是非常寶貴的。
坐在綠樹(shù)上看太陽(yáng)駕駛著她的金馬車,看月亮開(kāi)著她的珍珠馬車,是一件愉快的事情。山楂散發(fā)出香味,躲藏在山谷中的風(fēng)鈴草以及盛開(kāi)在山頭的石南花也是香的。然而愛(ài)情勝過(guò)生命,再說(shuō)鳥(niǎo)的心怎么比得過(guò)人的心呢?”對(duì)于這般癡戀愛(ài)情的玫瑰,我們猜想,也許結(jié)局是雖然夜鶯犧牲了自己,但是卻收到那對(duì)年輕男女的感激,也成就了一段美好的姻緣,這是很多童話書(shū)對(duì)結(jié)局的普遍設(shè)定。因?yàn)樵谕挼氖澜纾冻隹倳?huì)有回報(bào),愛(ài)情勝過(guò)世俗間任何的事物?墒,當(dāng)夜鶯準(zhǔn)備用鮮血祭奠玫瑰之前,她在枝頭和那位年輕的男子道別,可是,男子卻認(rèn)為“她的樣子真好看,”他對(duì)自己說(shuō),說(shuō)著就穿過(guò)小樹(shù)林走開(kāi)了一一“這是不能否認(rèn)的;但是她有情感嗎?我想她恐怕沒(méi)有。事實(shí)上,她像大多數(shù)藝術(shù)家-樣,只講究形式,沒(méi)有任何誠(chéng)意。她不會(huì)為別人做出犧牲的。她只想著音樂(lè),人人都知道藝術(shù)是自私的。不過(guò)我不得不承認(rèn)她的歌聲申也有些美麗的調(diào)子。只可惜它們沒(méi)有一點(diǎn)意義,也沒(méi)有任何實(shí)際的好處!弊詈,年輕女子的一句:““我擔(dān)心它與我的衣服不相配,”她回答說(shuō),“再說(shuō),宮廷大臣的侄兒已經(jīng)送給我一些珍貴的珠寶,人人都知道珠寶比花更加值錢(qián)。”更是把讀者一棒子打回了現(xiàn)實(shí),而之后年輕男子的舉動(dòng)更是深感無(wú)奈!皩W(xué)生憤怒地說(shuō)。一下把玫瑰扔到了大街上,玫瑰落入陰溝里,一輛馬車從它身上碾了過(guò)去!皭(ài)情是多么愚昧啊!”學(xué)生一邊走一邊說(shuō),“它不及邏輯一半管用,因?yàn)樗裁炊甲C 明不了,而它總是告訴人們一些不會(huì)發(fā)生的事,并且還讓人相信一些不真實(shí)的事。說(shuō)實(shí)話,它一點(diǎn)也不實(shí)用,在那個(gè)年代,一切都要講實(shí)際。我要回到哲學(xué)中去,去學(xué)形而上學(xué)的東西!庇谑撬慊氐阶约旱奈葑永,拿出滿是塵土的大書(shū),讀了起來(lái)。
也許,很多讀者看完會(huì)用“這真是一個(gè)悲劇”“夜鶯太不值了”,我覺(jué)得這樣的評(píng)價(jià)有失偏頗。因?yàn)槲覀兘K究不是夜鶯,我們明明記得,當(dāng)夜鶯撲向玫瑰的剎那,她是幸福的、滿足的,她是懷抱著對(duì)愛(ài)情的美好愿望去的。況且愛(ài)情這復(fù)雜的情感,用值或不值來(lái)衡量未免太顯單薄。但是對(duì)于一點(diǎn)我們是可以引起共鳴的!叭绻麗(ài)情是一顆心臟,那么通往她的血管不應(yīng)該只有一個(gè)方向!
篇三:《夜鶯的歌聲》讀書(shū)筆記
《夜鶯的歌聲》講述的是前蘇聯(lián)保家衛(wèi)國(guó)戰(zhàn)爭(zhēng)時(shí)期,一個(gè)叫夜鶯的孩子是個(gè)勇敢、機(jī)智,巧妙地與德國(guó)兵周旋,用口哨傳遞信息。把敵人帶進(jìn)了游擊隊(duì)的埋伏圈,消滅敵人。
文中夜鶯與敵人的對(duì)話:“怎么會(huì)就剩我一個(gè),這里有麻雀、烏鴉、貓頭鷹多著呢!??:“剛剛一開(kāi)火,村子就著火了,大家都喊,野獸來(lái)了,野獸來(lái)了,大家快跑!边@些話都是夜鶯使在不易察覺(jué)中戲弄,同是也提現(xiàn)了夜鶯的機(jī)智和對(duì)敵人的憎恨。
文中,第二天,在被燒毀的村子的圍墻旁邊;在那小路分岔的地方,有孩子又穿著那件綠上衣??使我聯(lián)想到“小夜鶯”又投入了新的戰(zhàn)斗,又在堅(jiān)守崗位,察看敵情。我便對(duì)這位小英雄佩服的五體投地。佩服他天真活潑、頑皮、機(jī)智勇敢,有一顆愛(ài)國(guó)心,從他的身上使我想到白洋淀的抗日小英雄嘎子,小英雄放牛娃王二小等。這一切,時(shí)時(shí)刻刻都在鼓勵(lì)我們要有一顆愛(ài)國(guó)之心。
篇四:《夜鶯與薔薇》讀后感
讀了這篇童話,我很感傷,多么可憐的夜鶯啊。
故事內(nèi)容是這樣的:一個(gè)年輕的窮學(xué)生想找一朵紅薔薇送給一個(gè)姑娘,這樣他就可以在舞會(huì)上和這姑娘跳舞了?墒嵌斓幕▓@里哪有紅薔薇。他傷心哭泣被停在樹(shù)上休息的夜鶯看到了,夜鶯決定獻(xiàn)出自己的生命去幫助他達(dá)成心愿。于是月光下一整夜夜鶯一邊歌唱一邊將胸口頂住薔薇刺,讓自己的血流到樹(shù)的身上,結(jié)出紅薔薇。窮學(xué)生拿著薔薇去找那個(gè)姑娘,卻被她嘲弄了一番。他薔薇花隨手扔了,愛(ài)情也成了少年口中無(wú)聊的東西。
看完這個(gè)故事我腦子里充滿了夜鶯慘烈犧牲的鏡頭,“夜鶯拿她的胸脯抵住薔薇刺。她把胸脯抵住刺整整唱了一夜,她整整唱了一夜,薔薇刺也就刺進(jìn)她的胸膛,越刺越深,薔薇刺刺到了她的心。一陣劇痛散布到她全身。她痛得越厲害,越厲害”。可憐的小鳥(niǎo),為了一個(gè)花癡學(xué)生的幾點(diǎn)眼淚就要做這樣的犧牲,承受著殘忍的、毫無(wú)人道的苦難。這血淋淋的場(chǎng)面怎么能讓兒童感受到生命的偉大呢,即便這生命只是一只小小的夜鶯。又怎么能讓人感覺(jué)的愛(ài)情的美好呢?故事也說(shuō)了不是真是有了薔薇就有了和姑娘跳舞的機(jī)會(huì),就有了天長(zhǎng)地久的愛(ài)情。偏偏犧牲的就是這么一只把別人的愛(ài)情或者快樂(lè)看的比自己的生命還珍貴的傻鳥(niǎo)。
在傻鳥(niǎo)的心里愛(ài)情勝過(guò)生命,而且一只鳥(niǎo)的心不能跟一個(gè)人的心相比,于是它就去做了這神圣崇高的犧牲,這犧牲是多么的悲壯,這結(jié)局又多么的荒唐,這就是一個(gè)盲目的理想主義者的悲哀。佛說(shuō):掃地不傷螻蟻命,愛(ài)惜飛蛾紗罩燈。生命來(lái)之不易,應(yīng)該相互惜憐。鳥(niǎo)就是該吃飯、唱歌、睡覺(jué)在橡樹(shù)枝頭嬉戲玩鬧的,怎么去給得去為人類的愁苦慷慨赴義,是誰(shuí)告訴小鳥(niǎo)愛(ài)情勝過(guò)生命,人心勝過(guò)鳥(niǎo)心的,那個(gè)人才是可怕的惡魔。萬(wàn)物生來(lái)都有自己的本性,怎么就妄自菲薄,怎么就為了什么愛(ài)情主義理想主義而白白送命呢?什么主義要是好主意不應(yīng)該使我們活的更快活和長(zhǎng)久嗎?
這是一則童話,可我是讀不出一點(diǎn)的美好來(lái),我想作者是想告訴小孩子們不要做傻鳥(niǎo),愛(ài)情也不一定是美好的,而人常常是個(gè)天使和魔鬼的結(jié)合體。
篇五:《夜鶯》讀后感
Analyse Our Soul
I’ve read the book The Nightingale which is written by D.H.Lawrence who came from the Britain during the winter vacation. This book is the casual literary notes which contains a large quantity of truths. I found the truths in the book revealed the social reality that we live in it everyday. In fact, I think it is of value.
Though this book named The Nightingale, it isn’t just about the nightingale. In the chapter one and chapter two, the author wrote about the birds such as the nightingales. The words in these chapters formed a beautiful picture which just like the Chinese monochromes. But what I think the most brilliant are these sentences. The ear is so stupid, it will accept any amount of false money in words. But let one tiny gleam of the mortal hatred come into your eye, or across your face, and it is detected immediately. The eye is to shrewd and rapid. I think these sentences tell us the truth that we shall not completely believe which others said to us especially when they are praising us. We shall see what we are
really doing and what is our real value. I also found some sentence wonderful such as this: All the time, whilst the earth lay choked and killed and winter-mortified, the deep undersprings were quiet. They only wait for the ponderous encumbrance of the old order to give way, yield in the thaw, and there they are, a silver realm at once. Under the surge of ruin, unmitigated winter, lies the silver potentiality of all blossom. One day the black tide must spend itself and fade back. Then all-suddenly appears the crocus, hovering triumphant in the rear, and we know the order has changed, there is a new regime, sound of a new Vive! Vive! I like these sentences not only because it is very beautiful, but also it is meaningful. And I particularly love this one: One day the black tide must spend itself and fade back. So I put it as my QQ’ personalized signature. And I think the sentence below is brilliant, too. We may remain wintry and destructive for a little longer, if we wish it, but the winter is gone out of us, and willy-nilly our hearts sing a little at sunset. It is great, isn’t it? I think there is a sentence with reason: We may not choose the world. We have hardly any choice for ourselves. It is true that in our society, what we can choose are very few, what we need to do is to adapt ourselves to the society.
The author put down a series of comments on himself in the chapter named Myself Revealed. What I think the powerful one is this: I cannot, not for anything in the world, forfeit my passional consciousness and my old blood-affinity with my fellow-men and the animals and the land, for that other thin, spurious mental conceit which is all that is left of the mental consciousness once it has made itself exclusive. These sentences not only show the author’s spirit, but also satirized the middle class in author’s time.
In the last five chapters, Lawrence wrote his views of the novels. What I think the brilliant is his criticize on modern tragedy. He put down that Which is the weakness of modern tragedy, where transgression against the social code is made to bring destruction, as though the social code worked our irrevocable fate. Like Clym, the map appears to us more real than the land. Short sighted almost to blindness, we pore over the chart, map out journeys and confirm them: and we cannot see life itself giving us the lie the whole time. I think it is true, because we always find us deceived by life and being frustrated. But in the meantime, things what we can do are variety, we shall not be frustrated by the dark side of our life.
From The Nightingale, I have learned lots of things not only the beauty of English prose, but also lots of senses which can influence my whole life.
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